Like most fighters, Tony Ferguson, too, has some extremely prominent tattoos that have attracted UFC fans’ attention. The 37-year-old has 7 tattoos on his body. Akin to most MMA fighters, getting an aggressive look is one of the prime reasons behind Ferguson having them. However, there’s more to that than just for looks. ‘El Cucuy’ has tattoos on his back, both arms, forearms, legs, and calves. Each tattoo signifies some sort of deeper meaning.

Kylie Jenner Bares Cleavage for Terry Richardson in Sexy New Photo Shoot | Entertainment Tonight arrow-left-mobilearrow leftarrow-right-mobilearrow rightGroup 7Gallery Icon Copy 2Video Play Button Copy 5Hamburger MenuInstagramTwitterYoutubeShare Button7C858890-6955-48EA-B871-66CE1E33590CVideo-Playbutton Copy Skip to main content ncG1vNJzZmivp6x7psDOp6OippVjsLC5jqecsKtfZoRygJNxlqSxnJ6yoLbEp6Weqo%2BlvLSx0pidqKqPqbKzvtiYqaKbmJa%2Fpb%2FOp5afp6KUtKK4zquc

It's a new beginning for The Hills: New Beginnings. That's right, the fan-favorite MTV show is updating its show opening, but never fear, it's still Natasha Bedingfield singing "Unwritten." Bedingfield and Linda Perry teamed up to produce a remix of "Unwritten" for MTV to use as The Hills: New Beginnings theme song. "'Unwritten' is on my very first record. I wrote the song and there was this feeling of, ‘Wow, I couldn't say it any better,"

“Shotta Flow” rapper NLE Choppa has recently turned to a healthier lifestyle using healthy practices like meditation and homemade tea regiments to get him feeling right for his day. NLE, 20, born Bryson Lashun Potts, arrived on the music scene in 2019 with his 10 song EP, Cottonwood. Cottonwood introduces NLE with hard beats, blunt lyrics and a Memphis twist. His 2019 single “Shotta Flow” featuring Blueface, was so successful, that it became 3X platinum and charted top 40 on Billboard Hot 100,.

From Brian Friel’s Translations at the Irish Rep. “Justice needs a witness,” the scholar Paul Woodruff wrote. “A body of witnesses makes possible a communal healing of wounds.” These “traditions of public judgment,” he asserts, are “the ancestors of tragic theater.” Right now, within very different dramatic containers, two productions are bearing tragic witness to great fissures in justice itself — wounds that, old or new or ongoing, feel raw and deep, incompletely healed, if at all.